The 702T: Portable, Two-Track Audio Recorder with TimecodeThe 702T two-track digital audio recorder is designed for portable production applications. This compact device is known for its pleasant-sounding, low-noise microphone preamplifiers, the accuracy o
The 702T: Portable, Two-Track Audio Recorder with Timecode
The 702T two-track digital audio recorder is designed for portable production applications. This compact device is known for its pleasant-sounding, low-noise microphone preamplifiers, the accuracy of its onboard Ambient time code generator, and the ability to record to convenient, removable Compact Flash cards and external FireWire drives.
Recording Reliability with Timecode Accuracy
The two-track 702T on-board timecode reader and generator allow for great flexibility in timecode-based workflows. With the diverse timecode setups encountered in production, the 702T can accommodate all of them: rec run, free run, with/without smart slate, or multiple camera with lockits.
Files captured on this recorder are available for immediate import to broadcast WAV-aware editing applications, such as Avid and Final Cut Pro.
Included With the 702T
Specifications:
Sampling Frequency: Internal: 32, 44.1, 48, 48.048, 88.2, 96, 96.096, 176.4, 192 kHz; external: 32192 kHz via word clock input
Internal Data Path and Processing: 32 bit, 192 dB dynamic range
A/D, D/A Converters: 24 bit, 192 kHz sample rate maximum
A/D Dynamic Range
D/A Dynamic Range
Frequency Res. Mic or Line: 10 Hz40 kHz, +0.1, -0.5 (gain controls centered), Fs 96 kHz
Equivalent Input Noise
THD + Noise: Mic: 0.004% max (1 kHz, 22 Hz22 kHz BW, gain control down, -15 dBu input); line: 0.004% max (1 kHz, 22 Hz22 kHz BW, gain control down, +16 dBu input)
Gain: (input dBu to -20 dBFS)
Mic (normal gain mode): 25 to 70 dB; mic (low gain mode): 10 to 55 dB; line: -6 to 18 dB, 0.1 dB increments
Input Clipping Level: Mic input: -5 dBu minimum (normal gain mode, gain control fully down); mic input: +10 dBu minimum (low gain mode, gain control fully down); line input: +26 dBu minimum (gain control fully down)
High-Pass Filters: 40, 80, 160, 240 Hz @ 12/18/24 dB/oct (all menu selectable)
Mic Powering: (each XLR selectable): 48 V phantom through 6.8k resistors, 10 mA per mic available, menu-selected per channel in mic or line level positions
Mic Input Limiters: Analog (pre-A/D converter), dual-stage optocoupler and FET, -4 dBFS threshold, 20:1 limiting ratio, 5 mS attack time, 200 mS release time
Analog Line Output Clipping Level
I/O Digital: AES3-id 75 ohm, 0.5 V p-p, S/PDIF compatible with RCA adapter
Digital Storage: Compact Flash CF type I, II, and + (microdrive) compatible, FAT32 formatted, 2 TB maximum
File Types: WAV or BWF, mono or polyphonic; MP3 @ 64, 96, 128, 240, or 320 kb/s stereo; utilities: format, speed test, and repair utility for internal HD and CF volumes
Data Transfer / Control: FireWire peripheral-mode,IEEE-1394a compliant, 6-pin FireWire, Windows 2000, XP, Mac OS X only: C. Link 6-pin modular input and output, RS-232 machine control, word clock, time code transfer
Metering:38-segment (2 x 19), sunlight-viewable, selectable peak, VU, or peak (with or without peak hold) with VU ballistics, variable brightness
Time Code
Powering: Operating cell, removable 7.2 V (nominal) Sony M- or L-type Li-on, operational from 6 8 V; time code battery, 1.2 V AA nickel metal-hydride; power supply (external) 1018 V, 1 A minimum, via locking 4-pin Hirose connector, use Hirose #HR10-7P-4P (DigiKey# HR100-ND) for locking mating DC connector; pin-4 = (+), pin-1 = (-) or pin-3 = (+) and pin-2=(-).
Environmental: Operation and storage: ambient temperature 555 C, relative humidity (non-condensing) <80%
Other: LCD Display 202 x 32 pixel, extended temperature, backlit display; tone oscillator 100 Hz10 kHz, variable output, assigned to tracks or outputs (menu-selectable);
Dimensions and Weight: 45 mm x 209 mm x 125 mm (H x W x D) 1.8 x 8.2 x 4.9 mass unpackaged: 1.0 kg, (2.1 lbs) without battery
$25
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